The Rose Gardens

The “Roseti” collection features traces of grasses and twigs – memories of meadows and bushes left behind in the green glaze.
My work often incorporates element from nature, a traditional theme in many vases around the world. But I interpret nature as A reality that has always been shunned by “modernity”.
Modern design has its roots in machine-inspired geometric forms. Throughout its self-referential development, it has ignored the world around, a vast world made of leaves, twigs, flowers and grass- a world where modernity is in fact absent.
These traces of vegetation are an attempt to reach out from the closed world of design to a greater reality.

Andrea Branzi

Roseti

Andrea Branzi, Roseti  1

Andrea Branzi, Roseti  2

Andrea Branzi, Roseti  3

Andrea Branzi, Roseti  4

Andrea Branzi, Roseti  5

Andrea Branzi, Roseti  6

Andrea Branzi, Roseti  7

Andrea Branzi, Roseti  8

The collection of vases Roseti by Andrea Branzi was made in Albisola (Italy) in 2011 for The Gallery in Brussels. Photo: Barbara Lettany.

Andrea Branzi, Intrecci and Picassi in cocci

Projects

Limited Edition

I Am Wasp, by Simonetta Fadda

The paperweight of Alberto Viola

The Attese Edizioni collection
in the Ceramics Museum of Savona

The potter wasps of Albisola

The Rose Gardens
by Andrea Branzi

Michelangelo Pistoletto and the
Ceramics of the Third Paradise

Changing the world
with a vase of flowers

4^th Biennial of Ceramics
in Contemporary Art

100 chalices and 100 patens
for Pope Benedict XVI

Handmade in Albisola
La Triennale, Milano

The House of Asger Jorn
at Albisola

Technological innovation
and ceramic craftsmanship

Franco Raggi and the
Global Tools Joined Shoes

3^rd Biennial of Ceramics
in Contemporary Art

The Music of Ceramics

Le Socle d'Albisola
by Corrado Levi

2^nd Biennial of Ceramics
in Contemporary Art

The local ceramics tradition
and the globalization of
contemporary art

Artist's Ceramics
Ariana Museum, Geneva

1^st Biennial of Ceramics
in Contemporary Art